Multi Strand Bracelets Variations - Rules are Made to be Broken

I have been enjoying making these bracelets. There are so many possibilities... as to beads and cord colors... And the pattern can be changed, rules are made to be broken. Here are some variations showing what's possible and how to deal with unanticipated occurrences.

When I first encountered etched beads, I was not sure if I would like them... I have since fallen in love with them. However I encountered a challenge: the bead holes of the etched beads are larger than most other Czech Fire Polished Beads, and the beads were sliding around the C-Lon Tex 400 Bead Cord... But hey I still wanted to work them into the design... The solution was to frame the larger holes etched beads with other beads with smaller holes.

This bracelet is made with 4mm Czech Fire Polished beads, Etched Gold Ore and Indigo Gold Ore. The etched gold ore beads were a bit loose on the C-Lon Tex 400 Bead Cord, so to keep them from sliding around I boxed them in with the Indigo Gold Ore beads. Some of the cords have 3 beads, 1 Etched Gold Ore in the middle with one Indigo Gold Ore on each side, keeping the beads in place. Other cords have 5 beads, 3 Etched Gold Ore in the middle with one Indigo Gold Ore on each side.

The C-Lon Tex 400 Bead Cord colors are AGO Antique Gold, IND Indigo, and GR Grey.

This next bracelet is a variation of the bracelet shown above with NK Nickel instead for GR Grey and added beads, Etched Argento, also with larger holes, surrounded and blocked by Crystal Argento. The Etched Argento and Crystal Argento beads are loaded onto the Nickel cord. The Etched Gold Ore and Indigo Gold Ore ones are loaded onto the Antique Gold and Indigo C-Lon Tex 400 Bead Cords.

Other options I like: 6 cords with 3 beads, 3 cords with 3 sets of 3 beads, so 9 beads altogether. 

For more info on these bracelets, go to the previous post. 

Find the beads listed here –> 4mm Czech Fire Polished Beads

Turkish Flat Bead Crochet with C-Lon Tex 400 Bead Cord

A while ago, I was asked if C-Lon cord would work for Turkish Flat Bead Crochet. I had never heard of Turkish crochet, so I kept it in mind for future research. At the last Pacific International Quilt Festival - PIQF in Santa Clara a few weeks ago, I run into Eilene Cross, a teacher of this craft. She was wearing a neckpiece done with this technique with yarn and decided to try the same design with C-Lon Tex 400 Bead Cord, the heaviest C-Lon Bead Cord. She got a spool and returned to the show to show me her work in progress.

In this close up picture you can see the pattern created by the Turkish Flat Bead Crochet made with Green C-Lon Bead Cord. The background is made of spools of the standard C-Lon Bead Cord...

Eilene came back the next day with her neckpiece completed. She is a lovely person and I decided to take her class. She has a class this Saturday, October 27 at the Lacis Museum of Lace and Textile from 10:30 to 5:30.

Unfortunately I found out yesterday that I have a schedule conflict and will not be able to attend the class. So yesterday evening, slightly upset, I ended up researching Turkish crochet patterns on my own. Here are the first few bracelets I have done with this technique since.

C-Lon Tex 400 Bead Cord, Miyuki Seed Beads Size 5 and 6, a Kollage Square Crochet Hook Size B, some Vintage Italian buttons and voilà...

- > Bracelet Tutorial

- > Classes at Lacis Museum of Lace and Textile

- > C-Lon Tex 400 Bead Cord - C-Lon Tex 400 Bead Cord is available in 56 colors now. 16 new colors are arriving soon, bringing the color choices up to 72!

- > Kollage Square Crochet Hooks

To follow up - I would like to experiment with thinner sizes of C-Lon Bead Cord and gemstone beads... mix it up with other techniques, play around further... see what else I end up with. Also do more research on Oya - Turkish needle lace and crochet... In the meantime these bracelets are fun... and will make nice gifts.

As to the type of crochet being used on these bracelets, it is all standard stitches, slip, chain and single crochet stitches. It is known as Turkish Flat Bead Crochet because it is a traditional pattern used in Anatolia. This region in Turkey is renown for its Oya - needle lace and crochet with beads trims done around scarves. 

Knitted Bracelet with C-lon Bead Cord & Beads

While exhibiting at Stitches West as a vendor, I got many inquiries about knitting with C-Lon Bead Cord. Everyone wanted to see samples, so I proceeded to knit some, among them a bracelet with pearls. Then at the next show, equipped with samples, I got requests for the pattern for the knitted bracelet.

As I am getting ready for my third Stitches West 2011 in Santa Clara, in February, I will share my experience knitting with C-Lon Bead Cord and beads. I highly recommend using the Kollage Square Needles for knitting with C-Lon Bead Cord or any Bonded Nylon, it really helps prevent cramping of the hands. Bead & Tools Kits as well as the Kollage Square needles are available for purchase in my online store.

Since the first sample bracelet, I made a second one while in vacation in Mexico for my mother's birthday, then my aunt saw it and she wanted one... I have made many since then, all with fresh water pearls, natural or dyed, and gemstone chips. This pattern can be adapted to other types of beads.
Try it, have fun, and experiment! - Marion



Materials:
5-7mm Fresh Water Pearls
25 mm Donut
1 4-5 mm Small Rondelle
1 spool of C-Lon Bead Cord

Tools
2 Kollage Square Needles US Size 1 / 2.25 mm (DPN-7 inch long)
1 Kollage Square Crochet Hook US Size A / 2.00 mm
1 Tapestry Needle Size 22
1 EZ-Bob Small (Optional)
Scissors
Super Max Thread Burner (Optional)

Thread Conditioners & Adhesives
Beeswax
Fray Check or Poly Zap Super Glue (Optional)

Note: Once knitted in each bead will sits right in between two stitches. To really show the beads off, purl right before and right after inserting the bead. I also recommend working right off the spool rather than cutting the amount of thread needed before hand.

Step 1. Loading Beads
Wax the end of the thread right off the spool with the beeswax. Make a self needle by shredding the cord with the back of scissors. Re-wax several times. Cut the cord at an angle and twist the end. Load all the beads, re-waxing and/or remaking the self needle when necessary. For post on self needle made with beeswax, go to this post here and check the last option.

Step 2. Bracelet Body
Cast on 10 stitches loosely using the long-tail method and leave a 12 inch tail - it will be used for the button loop later on. Optional: wind the end on a small EZ-Bob.

Then knit the body of the bracelet with the following pattern:

Pattern:
Row 1: Purl
Row 2: * Knit 2, Purl 1, Slide Bead in, Purl 1, Repeat once* and Knit 2.
Row 3: Purl
Row 4: *Knit 1, Purl 1, Slide Bead in, Purl 1, Repeat twice* and Knit 1.

Repeat Row 1-4 ending with Row 2 until the body of the bracelet is the right length. See note on bracelet length below.

Step 3. Bracelet End
Decreasing stitches - continuing with a stockinette stitch:

Row 1: Purl the first 2 stitches together, purl the stitches in between, and purl the 2 last two stitches together.
Row 2: Knit
Repeat Row 1-2 until you have just 2 stitches left. Bind off the last 2 stitches leaving a 12 inch tail when cutting the cord.

Step 4. The Button
Pull the Donut/Button in place, by first pulling up right past the bead, then pulling the cord past the rondelle. With the tapestry needle stitch the cord in and out of the knitted end ending on the right side, right behind the donut/button. Knot off or bind the cord and weave in the end. Or another option is to burn the end of the cord using a thread burner and add a dab of Fray Check or Poly Zap for security. (The pdf version available with the bead kits includes a diagram.)

Step 5. The Buttonhole Loop
Use the cord tail (from Step 1) and crochet hook. Starting at the corner, attach the first stitch right into the knitting. Continue using a single chain stitch and work to the desired length (1" 1/4 for a 25 mm donut). Insert the crochet hook into the knitting right at the corner and draw the cord through. With a tapestry needle reinforce the binding. Knot or bind the cord and weave in the end, or burn the end and add a dab of Fray Check or Poly Zap for security.


Notes:
Casting on: Cast on loosely. As bonded nylon has no stretch, if you cast on too tightly, it will be difficult to knit the first row. The first row in this project is purled as it is a bit easier to catch the cast-on stitches when purling.

Bracelet Length: If the donut/button measures 1 inch in diameter, your wrist is 7.5 inches in diameter, you will need to make the body of the bracelet about 6.5 inches long. Even though the bracelet is knitted with bonded nylon and bonded nylon has no stretch, knitting tends to stretch a bit once it is worn so make allowances when measuring.

Alternative to Attach Donut/Button: Use a coated beading wire such as Softflex and crimp.

Want to Block the Bracelet? Go HERE for this info.

Shop for Bracelets Kits, Kollage Square Needles and get a printed pdf of this pattern: http://www.store.jewelsinfiber.com/knit.html

This information is for your personal use and enjoyment only. You are of course welcome to refer to this website. Thank you for your understanding! - Marion

Please do not copy or reproduce this information for commercial purposes without prior authorization. All rights reserved © 2010-17 by Marion Hunziker- Larsen.

Commission Work

Special order or commission work can be as simple as making a pair of earring with brown thread instead of black thread. The price is already set, the piece is prepaid, made and sent within 2 weeks or so.


Occasionally, I get a component sent to me. Often it is a challenge as it may not be a material that I may have chosen to work with. Other times it greatly benefits my work to step outside my normal design comfort zone.


A back and forth goes on either by email or phone or both to decide the direction the final design and the price for the work. Then the commission is paid, the execution take place and the piece is either picked up or sent by mail.





Then as an artist, I await the final word from the customer who ordered the piece as all now depends on whether the final piece met their desires and expectations.


The art glass donut component with silver foil was sent to me. I chose some thread colors to go with the piece, C-Lon Bead Cord Chestnut, D&E Nylon #18 Light Grey and Vintage Mastex Bluebird as seen in the picture posted above. Ultimately the design got several components added to it: a 50mm Duomortite Donut, some Miyuki 6/0 seed beads and a sterling silver clasp. Additionally the braid got several color added for better color balance, C-Lon Bead Cord Navy, D&E Nylon #18 Navy and an especially faded dyelot of Vintage Mastex Navy. The techniques used included knotting and hand braiding.


The pictures taken were for record only, not intended for publishing....

A Neckpiece's Journey

Last summer I sold this one of a kind neckpiece at a small show in my hometown of Redwood City, CA. (Shown here with rings and spools of C-Lon Bead Cord and Thread SizeD). The newly constructed town square in front of the Old Courthouse had just won a prestigious prize as best new public place in the U.S. A live band was playing on the square. Lots of people were enjoying a late afternoon and early evening listening to music, having their dinner al fresco with a glass of wine or beer and looking at art by local artists, myself among them. The woman who bought the neckpiece seemed very enthusiastic and happy, left my booth wearing her new purchase around her neck.

Many month later I received a call from a woman who had bought a piece of jewelry. She was not wearing it and wanted to return it, but she did not want a refund nor an exchange. She just wanted to donate it back to me as she deemed the piece too beautiful to be donated to Goodwill. She indicated that she was among a group of the population who did not have any problem paying insurance co-payments, so she felt perfectly comfortable donating things she did not wear. I thought we were talking about a small bracelet and told that I would donate it as a door prize at my next show in her spirit. She replied that it was not a good idea and kept insisting that I should keep it or resell it as she had never worn it. We arranged for her to drop it at my studio. Imagine my surprise when I saw the neckpiece back. I was deeply touched and humbled by her thoughtfulness.

On the winter solstice my yoga group got together for an extra long yoga session with a extended meditation and a solstice celebration with a lunch. Several women in the group had asked me to bring some jewelry as they were looking for gifts. I brought many pieces from my collection on trays, no display... And one of the woman in the group immediately got attracted to the neckpiece that had just been returned to me and decided to purchase it. It looks beautiful on her, as if designed just for her. It just needed to be shortened a bit.

Whenever I think of this neckpiece's journey, I smile and wonder...

Tamara Hill in Ornament Magazine

Congratulation to Tamara Hill, for being featured in the current Ornament Magazine. I met Tamara, a designer through my online store. She was looking for thread. When I saw her website, I looked forward to meeting her due to her connection to beads and Buddhism. We have since connected via emails, phone, and in person at shows, Bead Society meetings... Her work features lots of bold one of a kind beads and many crown knots done with various thread and cord, some from my store.




Check her work in the latest Ornament Magazine or on her website.

Tamara Hill Website: http://tamarahillstudio.com/

Ornament Magazine: http://www.ornamentmagazine.com/current.html

Photos of necklaces are by George Post

A Special Order

Occasionally I get a special order. A customer requests a piece for a special occasion or a specific dress...

In this instance, a very special customer needed jewelry for a Bar Mitzvah. She had found the dress, and we designed together this dramatic set for her special event.
Imagine this piece worn by a tall statuesque blond, in a long black dress with a very low back decolleté (and she speaks French as she is Parisian).

We also wanted this neckpiece to be wearable beyond this one occasion, thus the removable back tassel... making this piece more casual. The idea was to wear it in winter with a turtle neck sweater and black pants, and in summer with a dress or a light suit. The bracelet shown below completes this jewelry set.

Neckpiece and Earrings. Braided and knotted nylon thread, satin cord as the core for the braid, dyed coral and black onyx rings and toggles. Designed, handmade and © 2007 by Marion Hunziker-Larsen

Photography by George Post © 2008

The Bracelet

Bracelet (shown framed with the neckpiece braid). Knotted nylon thread, dyed coral, black onyx rings and toggle.

Designed, handmade and © 2007 by Marion Hunziker-Larsen

Photography by George Post © 2008