Sweet Spot - On Tour

Sweet Spot an installation by Shawn Causey and Mark Daniell made with C-Lon Bead Cord Tex 400 is currently in exhibit in San Diego at Wonderspace through the end of July. Wonderspace is a touring art show under a big tent featuring extraordinary art from around the world.

Tour Schedule:

San Diego, CA - through July 2017

Austin, TX - October through December 2017

Phoenix, AZ - February - April 2018

Denver, CO - June - August 2018

Check the tour schedule HERE as locations and dates may change

Read and see more images on this post on Sweet Spot.

If you are in any of the cities on the schedule, make sure to a visit this installation. I wish I was closer... Imagine seeing 19 miles of C-Lon Tex 400!

Wonderspace writes about Sweet Spot by Shawn Causey and Mark Daniell

A meditation on color and the pleasure of seeing, Sweet Spot is a shimmering color installation of 3700 thin multicolor nylon cords hanging ceiling to floor through handmade wood compartments. There are 19 miles of cord in the piece, which was handmade in Indianapolis with a team of 80 volunteers contributing 1000 hours. The motion of the viewer activates the piece as every change in perspective reveals new color harmonies. The flickering effect compels the viewer to slow down as the eye registers shifts in color. The viewer may find their own 'sweet spot' of resonating color relationships as they relate one perspective to another.

Shawn Causey and Mark Daniell live and work in Indianapolis. They focus on using low tech materials to explore color harmonies that are activated by viewer movement. You can learn more about them and their work on their website, Facebook ,or Instagram.

Loading Beads onto Cord & Thread - Needle Types & Sizes, Thread Leader and Self Needles

I wrote a post quite a while ago on the best way to load beads onto cords. It is one of the most common questions I get. It is a lot easier to refer to a post than to answer everyone individually. It was also time to update the info with lots of visual aids. This info is crucial to so many techniques from Peyote Stitch, Bead Kumihimo, Micro Macrame, and just Stringing Beads or Making Malas.

Needles

From left to right:

Big Eye Needles - Super easy to use as the needle opens fully from tip to tip. The needle consists of two long needles soldered together at each end, so when you separate them, in the middle the needle eye is giant. On the negative side, the needle is fairly thick so it cannot go though many beads as their holes are too thin, plus it can snag fragile material such as monocords (C-Lon Bead Thread, Size D and AA, KO and Miyuki Beading Thread) or fragile ribbon such as the knitted Panaché ribbon. Occasionally the solder joint breaks, so have an extra on hand just in case.

Wire Needles with Collapsible Eyes - Such as the Griffin Needles. They come in three sizes, thin, medium, and heavy. They are a good choice for stringing lots of beads, and since the eye collapses, the needle does not take a lot of room, so it is possible to get a double cord or thread into a small bead hole. But as the eye collapses, most of the time the needles are not reusable. On the plus side, the packages have 25 needles. 

Tapestry Needles - They come in many sizes from Size 20 (the thickest) to Size 28 (the thinnest) and they all have blunt ends. Chenille Needles are similar to Tapestry Needles but have sharp ends. 

I try to use blunt ends always for loading beads onto cord and thread. I am less likely to poke myself and to get my project ruined by staining it with blood. Also if you are making multiple passes, blunt ends are best for lowering the likelihood of going through the thread of the previous passes. 

Bead Embroidery Needles - These beading needles in size 10 and 12 are similar to Beading Needles, but they are shorter, plus they have blunt ends. These are pluses all around for leather wrap bracelet, Peyote Stitch, and very fine thread. 

Guide for Needle Sizes

This is a general guide as to the best needle type and sizes for some common thread and cord used for beaded jewelry. It also give an indication as to the best needle size for finishing. 

I often use the next size down for finishing and a pair of pliers to pull the needle and cord through when finishing in micro macrame. I can squeeze a C-Lon Bead Cord in a Tapestry Size 24, thus making a smaller hole in my work, but the end of the cord that went through the needle will not be usable, it will have to be discarded. 

Pull Along Needle and Thread Leader Method

If the beads holes are too small to accommodate the cords and needles listed above, then a smaller pull along needle with a thread leader might be the best way. 

In this example, the 4mm hematite with an Aurora Borealis finish are loaded onto C-Lon Bead Cord. The bead holes barely accommodate the cord doubled over, so a big eye needle or a tapestry needle will not work. A collapsible wire needle might work, but it might damage the looped part of the cord. So this might be the best solution. The needle is a Tapestry Needle Size 26. The thread leader is a piece of C-Lon Micro Cord. A thinner needle and thread could be used such as a Bead Embroidery Needle and C-Lon Bead Thread Size D or KO/Miyuki Thread. 

If tying a knot does not work because the knot keeps the beads from sliding down, as I found out in my example, either choose a thinner thread or omit the knot as shown below. 

Self Needles

 Self Needles can be made with Fray Check or Beeswax. 

The advantage for self needles is that there is no need to double the cord over to insert it into the bead holes. It can be done with a single cord or thread which is less bulky. Thus it allows a thicker cord into a bead hole.


Self Needle with Fray Check - Dip or rub some Fray Check onto the end of the cord. Let it dry. Cut the cord at an angle and use it as a needle. Re-cut at needed. 

Fray Check acts like a glue and coats the cord adding a bit of bulk to the cord. Making the self needle with beeswax (shown next) is the best way for loading beads onto cords when the size of the cord is close to the bead hole.  

Self Needle with Beeswax Method

This method is shown here with C-Lon Bead Cord Tex 400 as it is easier to photograph than thinner cords, but I use this method for the standard C-Lon Bead Cord or Nylon #18 bonded nylon cord and thinner bonded nylons,  for silks such as the Kanagawa or Fujix Tire Silk, and other cord and thread. 

Step 1. With the scissor blade edge shred the cord end. 

This picture shows the shredded material. 

Make sure to shred each of the 3 plies evenly. 

Step 2. Run the wax multiple times over the ends. 

Step 3. Roll the ends counterclockwise and cut the ends at an angle with sharp scissors. Occasionally as you load beads, you might need to re-wax and recut the end. 

The Beeswax Self Needle has many advantages:

• No need to double the cord over unless you want to use two cords, then join them together with the beeswax. The beeswax will hold cords together. 

• No drying time

Note: Not all beeswaxes are equal. If yours is a bit too soft or sticky place it in the refrigerator. It will help making it harder. If yours is too hard, keep it by a warm light.

I like my beeswax on the hard side... and I also often use pliers with this method to pull the cord through a tight hole. But of course sometimes a bead hole is just too narrow. Then the beads can be set aside for another project done with a thinner cord or it can be reamed.  A post about reaming beads will be on my list of next posts, so stay tuned. Follow my blog or sign up for newsletters to hear the latest news or visit my news page.  It has links to all my technical posts at the very bottom. 

In the end it is best to try all the different methods, and find your favorite way for your projects!

Links and References

-> Beeswax, Fray Check

-> Needles

-> Beading Cord & Thread

2017 Pantone Colors and C-Lon Bead Cord Colors

2017 Pantone Spring Colors

LMZ Light Maize, BLS Blush, AB Antique Brown, IB Ice Blue, MO Moss

OG Orange, LTM Light Magenta, CER Cerulean, GRO Green Olive, C Capri

Greenery is the Pantone color of the year. Moss is the closest C-Lon Bead Cord color. 

2017 Pantone Fall Colors

Two version of the fall colors are available. The first set is for New York, the second for London. Take you pick - Choose your favorite colors!

SR Sanghai Red, BC Black Currant, PTL Petal, S Sable, N Navy

GR Grey, CER Cerulean, LMG Lemongrass, CB Caribbean Blue, LC Light Copper

RH Red Hot, PTL Petal, S Sable, BLM Blue Morning, AM Amethyst

SE Sepia, N Navy, TN Tangerine, LMZ Light Maize, GOLV Golden Olive

Links

C-Lon Bead Cord

C-Lon Micro Cord - New Spool Size - New Colors

C-Lon is adding new colors and introducing a new spool size in the C-Lon Micro Cord Tex 70 size. The original spool size of the Micro is 320 yd - 293 m. The new spool size is 100 yd - 91 m. By switching to smaller spool sizes, it will be easier on our wallet all around to buy and invest in more colors. 

C-Lon just released 8 new colors: 

Vanilla, Latte, Argentum, Charcoal

Gunmetal, Copper Rose, Turquoise, Antique Brown 

It is really great to have new colors in the Micro size of C-Lon. Vanilla, Latte, Argentum, and Charcoal were added in April. Gunmetal, Copper Rose, Turquoise, and Antique Brown just came in this week. Another 8 colors are planned for this year. 

In addition, all the existing colors of Micro are switching to the new 100 yd spool size as inventory of the original spools is sold. The color White, Gold, Grey, Oyster, Sea Shell have already switched to the new spool sizes. We still have some limited inventory of White, Gold, Oyster and Sea Shell in the larger spool, but Grey is now only available in the new spool size. 

Since I discovered C-Lon in 2005 when they had 24 colors of the standard C-Lon Bead Cord only, I have been an advocate for more colors and more sizes, always. Many of you have expressed the desire and need for more colors of Micro so I passed that along. We are very lucky that C-Lon is been open to adding more colors and more sizes to their cord offering. If not for financial constrains, I am sure, they would have all the colors in all the sizes... And having the same color available in all four sizes of C-Lon Bead Cord is very valuable when designing a jewelry line, so yes I am very excited about these new additions. I hope you are too!

–> C-Lon Micro Cord

Comparing C-Lon Micro Cord and Tuff Bead Cord Size 1

A customer just asked me a question wanting to compare some colors of C-Lon Micro Colors and Tuff Bead Cord Size 1. Here is the first picture in this series. I will keep adding more pictures as time allows. 

CLMC = C-Lon Micro Cord Tex 70
TUFF= Tuff Bead Cord - Size 1

As to diameter and texture, both cords feel the same. Tuff may have a bit more bond. 

The official diameter of the Tuff Bead Cord Size 1 is 0.274mm whereas C-Lon Micro Cord official diameter is 0.115mm, but visually they seem very similar. The difference between these two measurements might just be because two different companies did the measuring and measuring diameter is not accurate as the thread is soft and might be compressed when measured. 

Because of this problem of compression, thread company do not usually measure thread by its diameter, but by its weight. The Tex system which is adopted widely, but not universally measures the thread by weight, grams for 1 kilometer of thread. thus 1 km of Micro Cord weight 70 gr. But Tuff does not provide Tex numbers for its cord. According to my calculations, it should be around Tex 78... so just a tad thicker than C-Lon Micro Cord. 

C-Lon Micro Cord come in 32 colors. Tuff bead Cord in 16. So that a total of 48 colors. Here are the first 7. I hope this will help refine your choices! - Marion

Links

–> C-Lon Micro Cord

–> Tuff Bead Cord

Playing with String Art - Designs with C-Lon Bead Cord

String art, also known as symmography, or filography, is best described as linear thread design merging geometry and art, or mathematical and geometrical design combined with artistic design. Essentially, it works by connecting two points with a straight line, and then by grouping and overlapping multiple points and lines. The design can be first drawn with pencil and a ruler on a sheet of paper or can be composed in a more spontaneous way directly with the cord and thread right onto a board or canvas. 

C-Lon Bead Cord is a perfect material to create string art pieces with its wide color range and different sizes, making it fun to play around and experiment with. 

Here are my first three pieces experimenting in this field. All are made with a 12 by 12 stretched canvas. 12 by 12 canvasses are inexpensive and easily available at your local art store or online. 

Shield - Playing with Symmetry

Materials: 1 12 x 12 Canvas, Gesso, Acrylic Paint, Small Nails, C-Lon Tex 400 Bead Cord

Tools: Pencil, Ruler, 1-2 Foam Brushes, Hammer, Scissors, and Thread Burner

1. First paint the canvas with white gesso, let it dry.

2. Add a coat of acrylic in a celadon tone and let it dry.

3. Tack small nails to the back of the stretcher bars, 1 cm apart, all around. If the nails are placed on the back of the canvas, they will not be seen. They will face the wall. Leave the head of the nails sticking out so the cords can be wrapped around the nails. 

For this piece I added 4 nails right at the center of each side and left these sticking out a bit more as lots of cords will be strung around these nails. 

From left to right: (darker to lighter colors) 

Group 1 - Persian Indigo, Hyacinth and Periwinkle

Group 2 - Myrtle Green, Fern and Mint - Oops Fern is missing and Celadon is shown instead

Group 3 - Navy, Indigo, and Light Blue

Group 4 - Marina, Teal and Turquoise

4. Start stringing the rays from the central nail outwards. Each of the rays are made with 3 C-Lon Tex 400 Bead Cord colors. Attach the darker color by making a knotted loop, melt the end of the cord right into the knot with the thread burner, and loop it around the first nail, just off center across the main center nail. Go back and forth around the nails making 8 central rays, 4 on each side of the center line. On one side go around two nails, the other side always around the central nail creating a symmetrical design.

5. Change to the next color in between two of the nails. Tie the darker color you just used to the middle color, melt the cord ends into the knot, and continue looping the cord back and forth. Change to lighter color and finish all the way to the last nail. Tie the cord off with 2-3 half hitches. Melt the cord end into the last half hitch. 

6. Repeat for all 4 sides. 

Variations: change colors, change cord size, add more cords... 

The photo montages may not show the pieces to scale. To get this effect, you may have to scale up to larger canvasses.

These close ups show how the piece is seen from the side, making them a good choice for wall art in a hallway... as they change as you move. 

Bridge - Balanced Asymmetry

Materials: 1 12 x 12 Canvas, Gesso, Black Gesso, Small Nails, C-Lon Micro Bead Cord, C-Lon Fine Weight Bead Cord and C-Lon Tex 400 Bead Cord
Tools: Pencil, Ruler, 1-2 Foam Brushes, Hammer, Scissors, and Thread Burner

This piece is a bit more free form than the last one... Follow steps 1-3, but at step 2, coat the canvass with black gesso instead of an acrylic coat.

Cord Colors: C-Lon Micro Cord in Grey ad Oyster, Fine Weight in Grey, Argentum and White and C-Lon Tex 400 in Shanghai Red. 

May have been Beige and Oyster for the Fine Weight. Not sure, the piece is at a show and all the colors were left on my desk, so I considered them... I can't remember which ones I ended up using for the Fine Weight exactly. 

Work the cord in layers starting with the Micro Grey and then the Fine Weight going from dark to light. Create movement and repetitions. 

Tie the bundles with the Tex 400 cord. Use the thread burner to melt the ends back into the knot. Then weave some Shanghai Red cords across using a tapestry needle. Size 20 is perfect for C-Lon Tex 400 Cord

For this piece I had no precise composition plan, other than creating an asymmetrical composition reminiscent of jazz with repetitions and surprises. I just followed my intuition and ending up with 3 repeated elements, the 3 triangles on left and the bundles on the right. All held up by the repeated diagonal lines going from left to right and the intersecting line on the right corner. The contrasting red color was the final touch bringing in dots as knots and woven lines.

Close up of the Tied Bundles

Close up of the Triangles

Close up of the Woven Lines

Tight Rope - Creating Tension

Materials: 1 12 x 12 Canvas, White Gesso, Small Copper Plated Nails, Black C-Lon Micro Bead Cord , Copper Wire, Electronic Wire

Tools: Pencil, Ruler, 1-2 Foam Brushes, Hammer, Scissors, and Thread Burner

This piece is a bit more planned than the last one... Gesso the canvas with white gesso. Let dry. Then mark the places where nails will go using a ruler and a pencil. 

Drill partial holes. It will make it easier to hammer the nails straight. Hammer the nails all at the same depth. Use a guide to keep the tops of the nails level. 

I placed 11 nails on the top left, nails all across the bottom, all 1 cm apart. The final nails on the top right were added afterwards once the thread composition was made with the Black C-Lon Micro Cord. 

Attach the cord right at the left bottom nail. Use 3-4 half hitches. Melt the cord end right to the knot. Pull tight to make sure it is secure. Create a composition with the Black Micro Cord, going back and forth. Think of it as music with rhythm. End the Micro cord with 3-4 half hitches and melt the cord end into the last knot. 

I added the extra nail on top right for the final touch, the opposing composition element and a contrast of materials. 

The copper wire is hand twisted - the galvanized electronic just pulled tightly. 

I hope that you will try this art form. It is easy and the results are fun. If you go ahead and make a piece, let me know how it goes. This is the perfect type of projects to do as a planned activity with kids incorporating art and geometry... And it can be done with cardboard cutting little slots on the edges instead of canvasses and nails. 

I will keep you posted on future pieces. I really want to make a few more! - Marion

Resources and References

Bonded Nylon - C-Lon Bead Cord

Compare Thread Burners

Do a search on 'String Art', get books on the subject... There are many resources with info and instructions online relating to this subject, but please refrain from using cotton floss or cotton crochet yarn as many of these sites recommend. C-Lon Bead Cord is far superior as it can be dusted, washed, and the cord is durable!

Matching C-Lon Bead Cord Colors with Kanagawa & Fujix Tire Silks, and Chinese Knotting Cord Size E

Matching colors across different brands is a difficult task in person. Doing it online is a daunting task. It requires opening several windows at the same time and a large screen.

Anyone making Malas or looking to match colors across these brands will find this post useful. Photos showing matches and relations between colors will be added to this post as time permits.

Please keep in mind that colors do shift with dye lots, and colors on your monitor or printer may not perfectly match the actual color of the thread and cord. 

The cord and thread is shown in shade groups. Rows are marked based on the C-Lon Bead Cord Color Chart. A PDF table is available in Resources at the end of this article. The table is organized alphabetically by C-Lon Bead Cord color codes. The C-Lon Bead Cord and C-Lon Tex 400 are both shown in the picture below with the Tex 400 at the top. Occasionally there is a slight shift between the two due to dye lot variations, otherwise the colors are the same. 

C-Lon Colors - Row 1 Aurum & Myrtle Green

AU Aurum - KNK-158
MYR Myrtle Green - KNK-138

The other New Colors are spread around below. 

C-Lon Colors - Row 2

BK-Black - KNK-BK or FJX-402, KNK-77 a bit richer, warmer + CHKC-E-101 Black
GR Grey - KNK-65 tad lighter, FJX-63, KNK-127, KNK-66 to catch more blue + CHKC-E-219 Dark Grey
ARG Argentum - KNK-73, KNK-65, FJX-111 lighter + CHKC-E-205 Silver
WH White - KNK-WH, FJX-401, KNK-00 currently the better match, or FJX-403 bit warmer + CHKC-E-102 White

Currently the Tex 400 ARG dye lot is a bit lighter than the standard C-Lon and FJX-111 is a better match catching the highlights in the nylon perfectly.

SLV Silver - FJX-12 + CHKC-E-218 Concrete
NK Nickel - KNK-65, FJX-44 catches highlights, KNK-72
GM Gunmetal - FJX-21, FJX-114, KNK-128
CHA Charcoal - FJX-125 lighter but good tone, FJX-66 perfect catches deep tones, FX-77 catches deeper tones

C-Lon Colors - Row 3

O Orchid - FJX-134 a bit lighter + CHKC-E-423 Lavender darker

PH Pale Heather - KNK-108 + CHKC-E-421 Light Orchid more saturated (not shown)

LV Lavender - FJX-05 cleaner hue, more saturated

FL French Lilac- KNK-107 + CHKC-E-415 French Lilac

MP Medium Purple - FJX-57 (not shown above)

PU Purple - KNK-24, FJX-57, FJX-130 tad redder

AM Amethyst - KNK-144 + CHKC-E-427 Amethyst

VIO Violet - KNK-117

C-Lon Colors - Row 4

CRS Cerise - FJX-78, KNK-821 lighter

P Pink - KNK-172 best (not shown), KNK-170 bit duller, KNK-171 a bit darker, FJX-141 a bit brighter and more saturated

LO Light Orchid - FJX-30 lighter and brighter, KNK-11 more saturated and darker

LTM Light Magenta- KNK-11 lighter and brighter + CHKC-E-325 Dynasty Magenta

RA Raspberry - KNK-6 + CHKC-E-408 Fuchsia

GP Grape - KNK-22 + CHKC-E-409 Grape

AZ Azalea - no close match found

PTL Petal - no close match found 

C-Lon Colors - Row 5

EGG Eggplant - KNK-801 (better with BC Black Current), KNK-801 more purple, FJX-157 (not shown) perfect shade, but washed down, lighter, not as deep + CHKC-E-359 Dark Smoke
WN Wine - FJX-78 
RS Rose - FJX-37, KNK-170 more pink (close match to CHNK-E-316) + CHKC-E-316 Geisha Gown more pink
BG Bubblegum - KNK-12 + CHKC-E-314 Pink Lotus more pink

PL Pink Lemonade - KNK-93 + CHKC-E-322.5 Pink Coral

CC Chinese Coral - KNK-91 + CHKC-E-324 Guava

C-Lon Colors - Fluo Hot Pink - Neon Pink - Poinsettia

FHP Fluo Hot Pink - KNK-795 + CHKC-E-315 China Pink lighter

PO Poinsettia - FJX-155 a bit darker, KNK-10a bit duller and redder 

NEP Neon Pink  + CHKC-E-363 Neon Pink

C-Lon Colors - Reds + Orange

VR Venetian Red - FJX-11 best, or FJX-79

R Red - KNK-1, KNK-2, or FJX-64 deeper tone + CHKC-E-319 Plum a tad deeper

RH Red-Hot - FJX-10

SR Shanghai Red - KNK-4 + CHKC-E-384 Poppy Red brighter, lighter

OG Orange - KNK-179 darker,browner, FJX-62 closest, KNK-5 more saturated

C-Lon Colors - Oranges

NEO Neon Orange - No exact match, KNK-5 redder and not a neon color
CHKC-E-929 Tangelo - Orange, brighter than all C-Lon
OG Orange - KNK-179 darker,browner, FJX-62 closest, KNK-5 more saturated
TN Tangerine - KNK-177
AP Apricot - FJX-61 a bit darker and more saturated
PSO Popsicle Orange - FJX-32 + CHKC-E-925 Mandarin lighter and brighter (shown below)
LC Light Copper - FJX-72 best (oops, not shown), KNK-99 a bit darker and more saturated

C-Lon Colors - Row 6 + Copper Rose

CPR Copper Rose - FJX-37  a tad brighter, or KNK-7 (not shown) good hue, but much lighter
BC Black Currant - KNK-801 best, FJX-38/KNK-135 redder + CHKC-E-359 Dark Smoke darker, deeper
SI Sienna - KNK-92 closest hue, but much lighter

NT Nutmeg - KNK-824 + CHKC-E-824 Ginger
GIN Ginger - FJX-94, KNK-825 more apricot + CHKC-E-822 Blush similar to KNK-825

PG Peach Glow - FJX-41 a bit more saturated, darker, KNK-14 a tad more pink

C-Lon Colors - Row 7 + Medium Brown & Sepia

SE Sepia - FJX-25 or KNK-168 both lighter + CHKC-E-806 Sepia browner

MB Medium Brown - FJX-121, KNK-101 + CHKC-E-816 Good Earth darker, browner

BR Brown - FJX-40 a bit redder, FJX-123 + CHKC-E-816 Good Earth bit less red

S Sable - FJX-122

BLS Blush - FJX-94 (not shown)

SS Sea Shell - FJX-41

MAH Mahogany - KNK-100 or FJX-116 + CHKC-E-838 Henna 

C-Lon Colors - Row 8 + Chocolate

CHO Chocolate - FJX-117 + CHKC-E-359 Dark Smoke deeper, more burgundy or CHKC-E-806 Sepia lighter, greener

CO Cocoa - KNK-56 (not shown), KNK-90, KNK-64/FJX-12 both lighter + CHKC-E-352 Light Taupe lighter

BE Beige - current CLC is darker than the Tex 400 - KNK-69 deeper, KNK-71 lighter

OY Oyster - FJX-28

C-Lon Colors - Row 8 + Latte & Wheat

AB Antique Brown - KNK-64 grayer, KNK-83 more gold + CHKC-E-352 Light Taupe grayer

L Latte - FJX-49 + CHKC-E-725 Chai a bit redder

WT Wheat - FJX-156 + CHKC-E-852 Wheat

VA Vanilla - KNK-182 + CHKC-E-800 Ivory

CR Cream - KNK-97, FJX-42 + CHKC-E-752 Champagne 2

LM Lemon - KNK-196, FJX-17 or KNK-17 + CHKC-E-763 Vanilla

CHKC-E-912 Lemon darker and more saturated than LM, lighter than GY

GY Golden Yellow - KNK-19, FJX-145 + CHKC-E-921 Golden Yellow

C-Lon Colors - Row 9

LMZ Light Maize - KNK-158 more saturated, KNK-196 lighter, KNK-79 darker
MG Marigold - KNK-78 best, FJX-29 lighter

GO Gold - FJX-74 

CST Chestnut - FJX-20

DKT Dark Tan - KNK-184 best (not shown), FJX-91 lighter, KNK-814 a bit more gold

C-Lon Colors - Row 10

K Khaki - KNK-119 + CHKC-E-701 Antique Brass

FX Flax - FJX-203

T Tan - KNK-119 a touch greener

AGO Antique Gold - KNK-79 + CHKC-E-708 Golden Olive greener

BRZ Bronze + CHKC-E-708 Golden Olive brighter

GOLV Golden Olive - KNK-828 deeper

C-Lon Colors - Row 11 + Green Olive & Olive

LMG Lemongrass - KNK-160 lighter, softer

CT Chartreuse - KNK-160 softer, KNK-156 greener, darker + CHKC-E-642 Lime greener and brighter ( shown below)

MO Moss - KNK-113 + CHKC-E-647 Moss

OLVN Olivine - FJX-81 lighter

GRO Green Olive - FJX-31 + CHKC-E-659 Dark Fern

OL Olive - KNK-26 highlights, KNK-155 deeper tones

C-Lon Colors - Row 11 + Mint

M Mint - KNK-166 lighter, KNK-165 darker + CHKC-E-630 Mint lighter

FE Fern - KNK-132 (best/not shown), KNK-165 brighter + CHKC-E-626 Fern

PER Peridot - FJX-131 + CHKC-E-622 New Jade

G Green - KNK-112 a bit more olive, best match KNK-30 a bit ore saturated, with less depth, FK-35 a bit bluer + CHKC-E-640 Emerald Green (matches KNK-30, but with more depth)

FG Forest Green - KNK-148 greener, FJX-69 deep tone + CHKC-E-619 Deep Forest

C-Lon Colors - Row 12 + Peacock

MA Marina - FJX-58 a bit darker

CER Cerulean - KNK-86 a bit greener

CEL Celadon - FJX- 45 lighter, FJX-52 bluer, FJX-209 darker, KNK-34 lighter and bluer + CHKC-E-603 Verdigris

SG Sage - FJX-46, FJX-209 darker & duller + CHKC-E-605 Teal

TQ Turquoise - FJX-46, KNK-115 lighter + CHKC-E-605 Teal

TL Teal - KNK-136 lighter 

PK Peacock - KNK-745 + CHKC-E-548 Peacock

C-Lon Colors - Row 13 + Ice Blue

IB Ice Blue - KNK-115 lighter, KNK-136 a tad greener + CHKC-E-541 Aqua Mist (lighter than IB)

In between IB and AQ - CHKC-E-542 Aqua

AQ Aqua - FJX-105, KNK-85 + CHKC-E-542.2 Aqua darker

CY Cyan - KNK-116 + CHKC-E-546 Cyan

BL Blue Lagoon - KNK-118 + CHKC-E-538 Blue Lagoon

C-Lon Colors - Row 13

STL Steel - KNK-33

PRL Pearl - KNK-721 hue is a bit off, closest match + CHKC-E-501 Pearl bluer

SB Sky Blue - FJX-101 + CHKC-E-512 Blue Dawn

CB Caribbean Blue - KNK-118 darker + CHKC-E-513 Buddha Blue brighter

C Capri - KNK-20 brighter, KNK-40 best but darker

CHKC-E-508.1 brighter more saturated than Capri

C-Lon Colors - Row 14

N Navy - KNK-150

IND Indigo - KNK-153 good hue but more saturated, KNK-800 grayer less saturated

LB Light Blue - FJX-27 a bit lighter + CHKC-E-505 Denim

BLM Blue Morning - FJX-27 a bit darker + CHKC-E-502 Blue Morning

PKL Periwinkle  + CHKC-E-503 Pale Heather

HYA Hyacinth - KNK-117 a bit more purple

PI Persan Indigo - KNK-117 a bit lighter, FJX-6 best match (not shown) + CHKC-E-518 Midnight a bit bluer

C-Lon Colors - Popsicle Orange and Chartreuse

PSO Popsicle Orange  + CHKC-E-925 Mandarin lighter and brighter
CT Chartreuse  + CHKC-E-642 Lime greener and brighter

C-Lon Colors - Neons

NEO Neon Orange

NEY Neon Yellow  + CHKC-E-661 Neon Lime

NEG Neon Green

NEP Neon Pink  + CHKC-E-363 Neon Pink (not shown)

CHKC-E-999 Neon Mix goes with any of the neon colors

Writing this post has been a labor of love, with thread and spools all over my floor. The post and the PDF attached below are now complete. Of course, if you have successfully matched C-Lon colors to the Kanagawa and Fujix Tire Silks and Chinese Knotting Cord Size E or if you find better matches than the one listed, please let me know! - Marion

Resources & Links

PDF table listing CLC by alphabetical order, with corresponding Kanagawa and Fujix Tire Silk, and Chinese Knotting Cord Size E

C-Lon Bead Cord

C-Lon Tex 400 Bead Cord

Kanagawa and Fujix Tire Silk by Colors

Kanagawa Silk by Numbers

Fujix Tire Silk by Numbers

Chinese Knotting Cord Size E

Malas DIY Tutorial

Silk Tassel Tutorial

Tassels Continued - with Chinese Knotting Cord Size E